Yes, we have this in a higher heel. Enter a world of suprasensual sexploitation with this week's deep dive into one of the earliest big screen adaptations of Leopold von Sacher-Masoch’s oft-referenced sadomasochism novella, Venus in Furs.

Muscle-hunk Shep Wild plays this version of Severin (named David), a shoe-salesman who is taken for a literal trip after a chance meeting with the striking Marina, played by Barbara Ellen, who is as much a creative force in this endevaor as director Joseph Marzano and producer Lou Campa. All three were coming off the sleazy success of the sinful blackmail story, Cool It, Baby (1967), but Venus in Furs was a Marzano product through-and-through, with the former experimental filmmaker given free rein to indulge in his deepest, darkest desires—as long as he stayed within the Campa/Cam-Scope budget.

Marzano wasn’t able to fully achieve his vision, but the end result is still a stylishly erotic and boundary-pushing film filled with fetish funhouse imagery and a recurring musical motif pulled from Prokofiev’s Romeo and Juliet. Like that story, there’s no happy ending here, but a descent into unfulfilled sexual madness, an aching longing for the intangible, and one particularly rough game of ping-pong. Join us, along with fetish historian and John Willie biographer Jane Garrett, as we discuss this unsubtle masterwork from sexploitation’s late 60s peak. Find out what's behind the next door, kiss your beloved’s ankle, and accept your fate as “Trodden Underfoot.”

Episode Specific:
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Special thanks: Jane Garrett

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