Apoya el Podcast
Contactos
Información
All the latest music interviews from the team at HEAVY Magazine. HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music. We will...
mostra más
All the latest music interviews from the team at HEAVY Magazine.
HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music.
We will upload the latest interviews regularly so before to follow our social accounts and our podcast account on www.speaker.com/user/heavy
mostra menos
HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music.
We will upload the latest interviews regularly so before to follow our social accounts and our podcast account on www.speaker.com/user/heavy
Apoya el Podcast
Explícito
Transcrito
13 NOV. 2024 · Guitarist Ronnie Simmons has spread his talents far and wide over the span of his playing career, travelling as far away as LA to play with Faster Pussycat and Richie Ramone before settling on a permanent gig with Australian rock royalty Angry Anderson and Rose Tattoo.
While travelling the world doing the thing you love may seem like the pinnacle of musical achievement, Simmons had one more peak to conquer.
Fronting his own band.
And what better way to launch into that next phase of your career than to record a collection of tunes, utilising the help of former bandmates and good friends to herald your arrival?
Rather than jumping the gun with a product that has obvious potential but nothing by which to test that mettle, Simmons decided to commit a bunch of tracks to disk for future release before making his Australian assault, recording what would become his debut EP Bite! Part 1 at One More Time Recording in Los Angeles with the backing of Richie Ramone (The Ramones) and the late Chris Moye on drums, Johnny Martin (LA Guns) on bass, backing vocals by Danny Nordahl (Faster Pussycat) and Scott Churilla (Reverend Horton Heat).
With this assortment of punk-fuelled rock numbers safely recorded, Simmons returned to Australia to start gigging with his new band Ronnie Simmons & The Redback Spiders, confident in the knowledge he had a viable product to sell.
With the EP set for release on November 22, HEAVY sat down with Simmons for a chat about the new band plus anything else that seemed relevant.
"I'm excited," he enthused when we asked how the nerves were. "I was listening over the masters this morning and I'm really psyched to release this into the world."
We point out that Ronnie is used to releasing music with other bands, but with this being his first out the front of a project, the pressure is on possibly more than usual.
"Yeah, this is the first time in a long, long time I'm out the front doing my own thing," he affirmed. "It's a very new experience for me, putting myself out there like that. A lot of these songs are straight from the heart, so it's very different to slotting into an already existing band. I'm enjoying it. It's a lot to think about, and it's a new experience, but I think I've got enough gigs and experience under my belt to give it a solid crack (laughs)."
In the full interview, we discussed Bite! Part 1, with Ronnie explaining the sound is a mix of his various musical influences, including punk, ska, and rock. We spoke about the two singles released so far and how they represent the EP, as well as the decision to record in LA. He ran through his musical journey from LA back to Australia and the advantage of playing in bands of differing styles and genres.
Talk turned to the band's upcoming run of shows, with Ronnie telling us what to expect from the band live and who is in the outfit full time plus more.
Explícito
Transcrito
13 NOV. 2024 · Interview by Angela Croudace
As the iconic Dropkick Murphys gear up for their long-awaited tour in Australia, HEAVY had the pleasure of sitting down with Tim Brennan, the band's talented multi-instrumentalist. We discussed the upcoming shows, the band's musical journey, and the unique influences that shaped their sound.
We kicked off the conversation about Dropkick Murphy's long-awaited return to Australia. When asked if Tim was excited about the long journey, he responded, "Yes, super excited about the long flight," he joked, despite the reality of being six and a half feet tall in cramped airplane seats. "It's going to be top-notch, but I'll tell you, all joking aside, the flight is the worst." However, the anticipation of touching down in Australia quickly outweighed any discomfort. "At least once we get off that plane, we're in such an amazing place."
This time round, the tour features Alkaline Trio as the support act, a decision that Tim enthusiastically explained. "The last time we did anything with Alkaline Trio was in Australia… getting to see them and hang with those guys was a pleasure," signalling the eagerness of both bands to reignite on stage.
As we dove into Tim's musical background, he shared his early experiences with traditional Irish music. Although his parents weren't particularly musical, his mother's love for the genre and his grandparents' influence laid the foundation. "Traditional Irish music was on a lot. For whatever reason, I took to it; I always liked it as a kid." This early exposure blossomed into a passion, especially after an inspiring encounter with his English teacher, who introduced him to The Pogues. "It sounds like hyperbole, but it totally changed my life."
Tim's journey into the Dropkick Murphys began when he connected with Mark O'Rell during their teenage years. After a few years apart, Mark invited him to join the band on the Warped Tour in 2003. "I was 20 years old… I had a great time. That led me to joining the band full-time."
As the conversation turned to their Australian tour set list, Tim was excited to reveal what fans can expect. "We've put out three records since the last time we were in Australia… we've got stuff from the very first things we ever did up until our latest album." The blend of new and classic songs promises an unforgettable experience for fans.
Tim started his musical journey as a drummer, playing in various bands and selling merch for Warped Tour before having the opportunity to play with Dropkick Murphys, which saw him expand his instrumental repertoire, learning the tin pipe and banjo, amongst other instruments.
Lately, Tim's been listening to The Pogues, especially as the season evokes nostalgic memories, "Always in November, December, I'm always heavily listening to The Pogues." He also shared his appreciation for the new Nick Cave record, which has led to him revisiting Nick Cave's entire discography, an excellent choice if I do say so myself.
Tim had a heartfelt message for their Australian fans as we wrapped up the interview: "We're so looking forward to coming down and seeing everybody. Come out to the shows, and we're going to have a great time."
With an unforgettable journey ahead, the Dropkick Murphys are set to deliver a show that celebrates their anthemic tunes while reconnecting with their loyal Australian audience.
Explícito
Transcrito
12 NOV. 2024 · British hard-rocking outfit Idles are the real deal.
Not only do they staunchly oppose those who fall into their crosshairs, but they are also vocal and proud about such beliefs and stances, with scant regard given for how they are perceived by others. Using their music as a weapon, Idles are brutally honest about their stance on social issues such as racism, bigotry, and most importantly, toxic masculinity as well as Governments who abuse their power.
The band released their fifth album, TANGK earlier this year, a body of music that was proclaimed as their most ambitious and striking work yet. Where IDLES were once set on taking the world’s piss, squaring off with strong jaws against the perennially entitled, and exercising personal trauma in real-time, they have arrived in this new act to offer the fruits of such perseverance: love, joy, and indeed gratitude for the mere opportunity of existence.
After a hugely successful Australian tour in November 2022, Idles return for more sonic action next January for a run of four shows. If you have seen this band before you likely already have tickets, but if not prepare yourself for a frenetic, pulsating journey where music is the only winner.
HEAVY sat down with vocalist Joe Talbot to find out more.
"It's about being present," he mused when asked about expectations. "You've gotta reserve your energy for the stage, and that means making sure you're ready for it. I think getting excited about shows is a weird concept, just because we treat them all the same. Every show's the same. To us, we give everything, I give 100% every day to every show."
In the full interview, Joe expressed his feelings of connection and his purpose behind starting a band. He shared his personal struggles with loneliness, fear, addiction, grief, and serious trauma during a time of political disillusionment in his country, emphasizing the importance of empathy and love in forming a community and overcoming these challenges.
Joe also discussed Idles' upcoming tour of Australia with US based band, Nation of Language, expressing his admiration for their music and as potential touring partners. We spoke about their live shows and commanding - and giving - respect. We discussed their latest album TANGK and its reception, plus more.
Explícito
Transcrito
12 NOV. 2024 · Californian ska/punk outfit Voodoo Glow Skulls have been an integral part of the ska/punk scene since their inception in 1988.
Born into a musical landscape that was only in the early stages of combining the two genres, the band quickly forged their own path based on a relentless touring ethic and uncompromising values that saw them play a large part in shaping what is now a modern-day institution.
Later this month, Voodoo Glow Skulls make their long-awaited return to Australia after an absence of more than ten years in which the band underwent personal changes that almost crippled them. But, with the status quo now firmly restored, it's all systems go as Voodoo Glow Skulls join Japanese outfit Hey Smith for a run of shows starting on November 27.
HEAVY caught up with original member and guitarist Eddie Casillas to find out more.
"We had a bunch of band changes and personnel line-ups," Eddie replied when asked what has changed with Voodoo Glow Skulls since their last visit to Australia. "My older brother, the lead singer Frank, quit the band in 2017 - so only a few years after we were there last - and then is back now. Just came back recently again and rejoined at the beginning of October. He's coming back to Australia with us, so he didn't miss any Australia (laughs), He just gets to jump back in as one of the first things he does. We put out another record without my brother that came out in 2021. That's a lot of things happening."
We ask how the loss of his brother affected both the band and Eddie personally.
"It was a big deal," he nodded. "It was one of those things where it feels almost like a test. What are you gonna do, sink or swim? Are you gonna keep on doing what you've always done? Or are you gonna hang it up and retire? Which we were gonna do. We were gonna hang it up and just retire. Make an announcement."
In the full interview we spoke more about the tour, including what to expect, with Eddie explaining that the band are focusing on playing classic songs with high-energy performances. He also mentioned the addition of new horn players to the line-up, which he believes will enhance the show. We spoke about the period when his brother Frank left the band and Eddie having to assume lead vocals for their last album, as well as how they got themselves as support for the upcoming tour.
We discussed the early days of the band and the musical climate in California in the late 1980s and early 1990s, mentioning bands like Fishbone, Jane's Addiction, and the Red Hot Chili Peppers as influential.
Eddie noted that the ska-punk scene was relatively rare at the time, with only a few bands like Fishbone and Oingo Boingo doing the rounds. Eddie also observed that the scene has changed significantly since then, with the genre now being more mainstream and popular, plus more.
Transcrito
12 NOV. 2024 · Well known Brisbane musician Jordan 'Chalky' Hill is best known for his electrifying and dominant role behind the drum kit, but of late he has been expanding his skillset into pretty much every other facet of music.
His most recent solo project, Nuclearsaurus Rex, has seen Chalky explore a more crossover thrash style, immersing himself in everything from writing and recording to playing every instrument on recordings.
After hinting at something special with his 2021 debut EP Pegasus Ezekial, Chalky is set to deliver the follow-up Operation Party Destroy on November 15, harnessing a lifetime of experience and influences into a four-track body of work with the focus as much on fun as it is the music.
Chalky spared some time for HEAVY recently to run us through Operation Party Destroy and other happenings.
"It's got a bit of crossover," he mused when asked to describe the sound of the EP. "A little bit of punk, a little bit of thrash… probably more thrash on this one. Especially since the last song is seven minutes long. Most crossover songs are one, two, three minutes long, but the average length being four minutes on this one is probably pushing it for crossover (laughs). It's funny that there's a seven-minute song on there, but I cut it up into four sections, so it's still like four different songs merged together into one. There's a tiny bit of death metal throughout as well, with a few blast beats in there, but it's all in standard, so it's not heavy, heavy, but it's heavy in terms of standard tuning. It's a little bit of everything, but at the end of the day if I had to narrow it down, it would be crossover thrash."
In the full interview, we discussed Nuclearsaurus Rex and Operation Party Destroy in greater detail. Chalky explained that the project started as a fun outlet in 2021 and has since evolved into a concept EP with a storyline centred around a dinosaur partying in the mid-1980s. Chalky also mentioned that he has been playing guitar and bass for the project, in addition to drums and vocals, and plans to bring the project to the stage as a proper band in the future.
We delved into the conceptual elements behind Operation Party Destroy with Chalky explaining the story is about a nuclear dinosaur named Nuclearsaurus Rex who invites his friends to a party, which turns into chaos when a villain, Velociradioactive crashes the party. Each song on the EP represents a different dinosaur with unique powers, and the story unfolds as the songs progress.
Talk turned to possible future live shows and the line-up, plus heaps more.
Explícito
Transcrito
12 NOV. 2024 · Interview by Angela Croudace
Jaret Reddick, the charismatic frontman of Bowling for Soup, shared his excitement about returning to Australia after 15 years, the band's upcoming 30th anniversary, and his passion for mental health advocacy. As Bowling for Soup prepares to take the stage at the Good Things Festival, Jaret reflected on the band's journey and the importance of addressing mental health issues in the music industry.
Over three decades in the music scene, Jaret's journey has been anything but ordinary. Beyond his work with the band, he has ventured into voice acting, songwriting, and a country music side project. "Music is what I do, and it's what I love," he shared, emphasising his dedication to creativity. Jaret's commitment to staying busy is driven by a desire to keep creating: "Making things is my favourite thing to do in the world."
Jaret is also a vocal advocate for mental health awareness, particularly within the music industry. "I really was unaware of how vast the struggle was," he admitted, reflecting on his late-in-life battle with depression and anxiety. "Once I became educated myself, I was just like, 'Gosh, I've had this so wrong."
His candidness about mental health challenges aims to destigmatise the conversation, as he recalls, "I was embarrassed to talk about it…but it's normal."
He noted a significant shift in how mental health is tackled within the industry. "I've seen that stigma start to go away quite a bit," he observed. Jaret's mission is to encourage others to seek help, stating, "If this could happen to me, it could happen to anybody."
Reflecting on Bowling for Soup's iconic hits like 1985, Jaret shared that their success has been a gradual journey. "Nothing for Bowling for Soup has ever just exploded," he said. "Everything's been really gradual." This slow burn has fostered a deep appreciation for their loyal fan base. As Jaret noted, "The fact that people still appreciate those songs…is just a testament to what we created."
Jaret let HEAVY in on an exclusive secret: the band is preparing to debut new music. Jaret hinted at an album title inspired by a casual conversation: "Party if We Have To." He explained, "It's an ongoing thing where something will just happen, and I'll go, 'That's a good name for an album."
When asked what he hopes audiences take away from their shows, Jaret responded sincerely: "A smile on their face." He loves seeing fans sing along and connect with the music. "If you're here and this is the first time you smile in a week, you feel like you're alone—you're not."
As he prepares to hit the stage in Australia, Jaret shared his excitement about returning here for the first time in over a decade. "We can't wait to see you guys. It's been way too long." he expressed,
"We've had a few plans to come back that didn't work out, whether it was the pandemic or whatever, but I'm glad it's finally happening." For fans eagerly anticipating their return, Jaret promises an unforgettable experience. "Honestly, we just can't wait."
Jaret's commitment to putting on uplifting shows and raising mental health awareness continues to resonate, as evidenced by the demand for their touring and the crowds Bowling for Soup still draws all these years after their peak of fame. The popularity of their tours and the crowds attest to the band's dedication to performing feel-good shows and promoting mental health awareness. Even now, years after their heyday, Bowling for Soup continues to attract audiences worldwide.
A perfect addition to the Good Things Festival line-up, you can guarantee their show will put a smile on your face and fill you with that sweet 2000s nostalgia.
Explícito
Transcrito
12 NOV. 2024 · After spending their first couple of years refining their sound and learning their craft better, Gold Coast rock outfit Chavez Cartel are finally starting to bear the fruits of that labour, having also managed to conquer the UK and USA in recent years.
With a classic rock sound embedded with elements of grunge, Chavez Cartel found pieces falling into place earlier this year with an appearance at Big Sound 24 introducing the band to a wider range of possibilities and contacts than ever before.
Harnessing this renewed vigour, the band headed for the studio to begin the next phase of their musical journey, with the result being new single All I Know, which showcases the evolving sonic world in which Chavez Cartel find themselves gravitating toward.
HEAVY caught up with frontman Ben Simpson to get more details.
"It's a little bit 90s sounding - like a lot of our stuff is, I think," he explained of All I Know. "It's got some 90s elements in there. It sounds like a dirty Oasis track to me, if I strip it back. A punky, dirtier Brit-Pop song. The song itself is about grinding, day-to-day life. Stuck in traffic. Back and forth from work, feeling like you're wasting away. It's a bit of a miserable approach to working class life, but it's got a bit of life in it, so it's not a miserable song. It just touches on the misery of some days."
In the full interview, we discussed All I Know in greater detail and its potential inclusion in their upcoming album. Ben described the song as a bit of a miserable approach to working-class life, but with a bit of life in it. We also discussed the concept of the film clip that reflects this theme.
We spoke about the band's transition from releasing smaller EPs to an album. Ben expressed his dissatisfaction with EPs, stating that they are not as valued as albums. He mentioned that the band is now ready to release a full album, having accumulated a body of work. Ben also shared that they have learned more about production, including vocal layering and counter melodies, which will be incorporated into their new album. The conversation also touched on the changing attention spans of people due to social media and the internet, with Ben expressing his preference for longer, more immersive music experiences.
Ben touched on the band's continued musical growth and clarified that the changes were natural and not a deliberate strategy to veer off into different genres. He explained that the band started as purely grunge, but over time, they added elements from punk and Britpop, while maintaining their grungy sound. Ben confirmed that the singles they released were a good representation of their current and future sound.
We also spoke about upcoming shows and plenty more.
Transcrito
10 NOV. 2024 · ALARUM have nothing to prove in sheer technical prowess on their instruments, or superlative proficiency in progressive metal songwriting. They've demonstrated for over 25 years that they are masters in complex time signatures, virtuoso guitar and bass chops, and layered sonic landscapes. Their music can be deliciously delicate and lovely, cheeky jazz fusion fun, or brutal death metal heavy.
Their new album Recontinue gives you all of those elements that you know and love about ALARUM, with the addition of the weight of an anvil. It is a brutally uncompromising album, with enough in the way of finesse to appeal to metal lovers of all tastes.
HEAVY caught up with Mark Palfreyman to find out more.
We discussed the band's new album, with Mark explaining it is a continuation of their previous work, with a focus on heavier and cleaner parts, as well as incorporating new ideas and influences. He also mentioned that the album was influenced by the band's experiences during the Covid-19 pandemic.
HEAVY praised the album's eclectic mix of styles, from progressive metal to jazz fusion, and asked about the creative process. Mark explained that they write different styles of music simultaneously, blending them together to create a cohesive album. He also noted that the band's approach has evolved over time, from simply writing songs to having a more planned and focused approach to their music and more.
Explícito
Transcrito
7 NOV. 2024 · The only thing better as a band than hitting the road after releasing an album is hitting the road with your mates, so it was a no-brainer really when Melodic Death metal powerhouse ORPHEUS OMEGA (VIC) and Symphonic Gothic Metal masters CARMERIA (NSW) announced they would be touring together to promote recent albums.
Dubbed the Embers Of Tragedy Australian Tour, the run of shows celebrates Orpheus Omega's Emberglow album and Carmeria's Tragedie D'amour, with both releases considered as pivotal in the blossoming futures of both bands.
Emberglow sonically marrie sOrpheus Omega's classic melodic death metal roots while taking their largest leaps yet into uncharted territory including moments of progressive metal, metalcore, doom metal and more. It is a brave and typically bold step forward for the band, who over five albums and three EP's have continually pushed themselves and their boundaries, despite gathering a loyal fanbase that would be satisfied with their music changing only minimally.
HEAVY sat down with the whole band recently to discuss the tour and whatever else seemed appropriate at the time.
We discussed the Emberglow in greater detail and how ambitious the band actually considers their sonic shift. The band mentioned that the album has a strong personal element, with each band member contributing their own unique influences. They emphasized the importance of the pre-production process in shaping the album's cohesive sound and talked about the balance between different genres in the album and how difficult it was to get right.
They also discussed their upcoming tour and the effort they put into creating a memorable live show experience, just what to expect and more.
Transcrito
6 NOV. 2024 · Interview by Angela Croudace
The music world is often dominated by Western narratives, but Botswana’s Skinflint is challenging those narratives by carving out a unique space for African metal. Founded in late 2006, the band emerged with a vision to blend heavy metal with the richness of African culture and mythology. HEAVY spoke to the band’s core members - Giuseppe Sbrana (guitar, vocals), Kebonye (bass), and Cosmos (drums) - to discuss their musical journey, influences, and the themes behind their latest album, Baloi.
“Skinflint started with a simple idea: to tell the stories of Botswana and Africa, particularly the darker sides of our mythology that aren’t often covered by Western media,” Giuseppe explained. “Africa is rich in history and tales, and we wanted to bring those narratives to life through metal.”
The band’s name, while catchy, lacks deep meaning. “It just sounded good,” Kebonye said with a chuckle. However, their mission is far from superficial. With a growing fan base across the globe, they have become a significant voice in the underground metal scene, sharing stories steeped in African folklore.
Despite their passion, Skinflint has faced significant challenges in promoting their music in Africa. “In the beginning, many people didn’t understand what we were trying to do,” Giuseppe admitted. “The metal scene here is small, and venues that support our music are rare. We’ve had to create our own opportunities.”
They emphasize the necessity of collaboration among bands in Botswana, sharing resources to build their own stages and sound systems. “It’s a DIY punk attitude,” Giuseppe noted, reflecting on the resilience of local artists. “But the hard work is worth it when we get on stage and share our stories.”
Their latest album, Baloi, which translates to "witches" in Setswana, delves deep into Botswana’s rich mythology. The title track addresses themes of love and betrayal, inspired by the legend of Lenswala Baratani - a tale of two lovers shunned by their tribe. “These stories are part of who we are,” Giuseppe stated. “We want to share them, even if they can be dark and unsettling.”
Another standout track, Sangoma, explores the concept of blood magic and witchcraft. Kebonye explained, “We want to showcase our culture, the good and the bad. People fear what they don’t understand, but we believe in the importance of telling these stories.”
As Skinflint continues to gain traction internationally, they are often dubbed "Africa's heavy metal Gods." However, the band is quick to redirect the spotlight. “While we appreciate the recognition, there are so many great bands in Africa,” Giuseppe urged. “It’s important for people to explore the diversity of African metal and the stories it has to offer.”
Their dedication has resulted in a loyal following not just in Africa but worldwide. When I asked about future tours, the excitement was palpable. “We’d love to play in Australia,” Guiseppe exclaimed. “Just connect us with a promoter, and we’ll be on the next plane!”
At the heart of Skinflint's ethos is collaboration. Each member contributes to the songwriting process, with Giuseppe penning the lyrics while drawing on ideas from the band. “It’s a family atmosphere,” he described. “We want to push each other to new heights, incorporating each member’s strengths into our music.”
As our conversation drew to a close, it was clear that Skinflint is more than just a band. They are storytellers, cultural ambassadors, and innovators in the heavy metal genre, determined to break boundaries and share the untold stories of Africa with the world. Their journey continues, one heavy riff at a time.
Supporters Club
Explícito
15 SEP. 2021 · The Hard-Ons are almost more Australian than Vegemite.
Almost.
For just shy of 40 years guitarist Blackie and bass player Ray Ahn have punked and rolled themselves into Australian music folklore with their blending of punk tempos, hardcore attitude, heavy metal riffs and surf-pop melodies, coupled with a dry and laconic sense of humour, catapulting them into the hearts and eardrums of generations of fans.
The recent announcement of You Am I frontman Tim Rogers to The Hard-Ons was met in some quarters with surprise, but most with excited anticipation, with the amalgamation of two of this countries most loved bands a recipe for success.
That anticipation was justified with the release of the bands first single with Rogers, Hold Tight, satiating long term fans and silencing the doubters with its fresh approach to The Hard-Ons sound without overhauling the finer points that endeared the band to many.
Rogers and Blackie joined HEAVY for a fun chat recently to discuss the next phase of the Australian juggernaut that is The Hard-Ons and their new album I‘m Sorry Sir, That Riffs Been Taken, which is out on October 8.
We start by welcoming Rogers to the band and asking how it came about.
"The call came - and I thought it was a wind up - but Ray's always been straight up with me," he began. "For thirty years he told me how bad we've been when we've been bad in my other band, and he's been so generous, so I decided to take it seriously and sobered up a bit and then drove up to Sydney and had two rehearsals and it was so much fun and terrifying. I've never rehearsed harder in any situation. "
"You found it terrifying, but fucken hell, it was a pleasure," Blackie cut in, laughing. "So your suffering was my pleasure (laughs)."
"I think I turned up the second rehearsal," Rogers continued, "and I was a bit more relaxed and had more fun because the band said 'hey Tim, why don't you just choose a set list' and I thought well, I've got a wishlist of about 97 songs and I whittled it down to about 20 something, and apart from songs on the record they were 95% songs from the last six records. My purpose at the moment is to get people that haven't heard those records to hear them, as well as the one we just recorded. After the initial terror, it was just joy. And the recording... I did all my vocals in a day and a half, and I was really shocked to find out that Pete and Ray and Murray had done the tracking similarly, like a day and a half, and I couldn't believe it. I thought this is like trying to cage a tiger or jump onto it."
In the full interview the chemistry of Tim and Blackie is evident as they bounce off each other, talking more about Tim joining the band, the upcoming album, why they chose Rogers as singer, how, if at all, The Hard-Ons will be different musically, humour in music and why it's important, what Tim brings to The Hard-Ons and more.
Supporters Club
30 SEP. 2019 · Black Rheno are one of those bands that everybody should have heard but too many have not. They are a hard-working, hard-touring excitement machine and after introducing themselves to the world with their debut E.P Let's Start a Cult in 2016, are finally ready to unleash their first full-length album, with the appropriately titled Noise Smasher set for release on October 25
"We're ecstatic!" blurted drummer Dougy "We're very excited (laughs). There's a big tour coming up for it too but we've all been waiting for the right time to drop it and I think now is that time. Let's do it!"
After completing the album some time ago and with anticipation around the country now threatening to boil over, Dougy admits that sitting on the album before releasing it has been frustrating to say the least.
"Oh man, you have no idea," he laughed "It's been pretty crazy. The E.P came out a couple of years ago now and we've been sitting on this for a while waiting for the right time to bring it out. We have worked insanely hard on it. It's a good mix of everything. You've seen us play and I think its a good adaption of what we do live. We go crazy, we can make you dance and go nuts, and hopefully it all works out. Very excited is an understatement.
Musically Noise Smasher follows a similar path to the music on Let's Start a Cult, but Dougy says that for their second release Black Rheno tapped a little more into their personal influences - more subconsciously than thought out - with the resulting collection of music the definitive sound of a band at peace with their craft.
"Other artists talk about where most of their influences have come from - usually their personal favourite artists - but I have never really thought like that," he deliberated. "But when I think about it this album pretty much sounds like all of our individual favourite bands (laughs), with all those genres smashed into one. It's great. You wouldn't pick it but I'm an avid fan of most genres. I grew up with just death metal and that was it, but I'm also a big fan of the Foo Fighters and Queens of the Stone Age and Kyuss or stoner stuff, but fuck I also like Sting and The Police - there's nothing of that on the album of course (laughs) - but it's a big mix of different genres which is great. It's not just death metal, death metal, death metal. It can pick you up at some points and you get all groovy and start dancing, or you can start banging your fucken head and start smashing things if you like. There's something for the whole family if you will."
Tour Dates
Thursday 7th November
Badlands, Perth
Friday 8th November
Enigma, Adelaide
Saturday 9th November
Max Watts, Melbourne
Sunday 10th November
Brisbane Hotel, Hobart
Monday 11th November
The Basement, Canberra
Wednesday 13th November
The Cambridge Hotel, Newcastle
Thursday 14th November
Crowbar, Sydney
Friday 15th November
Crowbar, Brisbane
All the latest music interviews from the team at HEAVY Magazine. HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music. We will...
mostra más
All the latest music interviews from the team at HEAVY Magazine.
HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music.
We will upload the latest interviews regularly so before to follow our social accounts and our podcast account on www.speaker.com/user/heavy
mostra menos
HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music.
We will upload the latest interviews regularly so before to follow our social accounts and our podcast account on www.speaker.com/user/heavy
Información
| Autor | HEAVY Magazine |
| Organización | HEAVY Magazine |
| Categorías | Entrevistas musicales , Comentando la música , Noticias de entretenimiento |
| Página web | heavymag.com.au |
| kris@heavymag.com.au |
Copyright 2024 - Spreaker Inc. an iHeartMedia Company
