9 MAY. 2024 · Interview by Kris Peters Adelaide rock outfit Audio Reign have, by virtue of geographical location, possibly had to work that bit harder than most to have their music heard and accepted on the national music scene. Without the opportunities and weight of numbers afforded bands in the larger cities and areas of Australia, Audio Reign learnt early on in the piece that the best way to compensate for the lack of opportunities was to produce continually high-quality music that would hopefully resonate through the divide and into the hearts and ears of a national, then international audience. Their debut self-titled album offered strong indications of the talent within the band, particularly frontman Jake Fleming, who has been blessed with the stereotypical rock chops that demand an audience. And while more often than not Audio Reign have had to fight tooth and nail to draw that audience in their hometown of Adelaide, opportunities have gradually presented themselves with the band's recent support slot to touring US outfit Skillet overdue reward for effort. Today Audio Reign fire their strongest shot yet in their quest for rock immortality, with the release of their sophomore album The Perfect Sea, an album that has healthy doses of rock through to hard rock and metal tinges but also splatterings of emotion and sonic diversity that only a growing confidence and self-belief can muster. HEAVY has keenly observed Audio Reign since first coming across them a number of years ago, and it gave us great pleasure to be able to sit down with Fleming for a deeper insight into the musical mechanisms of the new album. "It's been a labour of love," he sighed when asked how it felt to finally have the new album in the public domain. "We're stoked to get it out. It's been a long time coming, and the fans have been waiting, so we're on cloud nine." Bands throughout history have always been plagued by the second album syndrome, an affliction generally thought of as more of a cop-out to those outside of the industry, so we press Fleming to see if the band had any unexpected difficulties with the follow-up effort. "It's always that way where they say your first album took you twenty years to write, but the next album is expected every couple of years," he measured. "It can be. This album was written during COVID times too, so there was a lot of emotion going through there and just life in general as well. That helped out, I suppose. I'm not the sort of person who just sits there and bangs out a song. I have to wait until it comes to me. But it came through pretty good. The next one… you will have to ask me then (laughs). But this one's been okay." We ask Fleming to describe The Perfect Sea from a musical point of view. "A lot of people have albums that have themes," he replied, "but this one doesn't really have one. There's definitely some songs on there that are part of the same thing, but the whole album itself, because it took so long through the pandemic and the fans have been waiting, I wanted to do something for them. The album itself, and the song The Perfect Sea, is basically dedicated to our fans for sticking around and waiting for us and for backing us." In the full interview, Jake talks more about the diversity of music on The Perfect Sea, the steady procession of singles and how they reflect the album as a whole, which two singles best represent the direction of the album, his vocal range and how far he pushed himself this time, how this release differs from Audio Reign's self-titled debut, the musical growth within the band, singing with XMusic and what that means for the band, touring plans and more.

9 MAY. 2024 · Interview by Kris Peters Sydney metalcore outfit Harroway might only be just starting out on their path in the wide world of music, but already they have figured out that pleasing themselves is the first and foremost goal in this industry that can break down even the strongest willed with ease. Following their well-received debut EP earlier last year, I Don't Want To Be Here Anymore, a collection of five songs running the gauntlet from the harsher spectrum of metalcore to the more inviting, Harroway could easily have played it safe and delivered up more of the same with future releases. That EP solidified the band's growing reputation and led to a sold-out run of EP launch shows, but instead of resting on their early laurels, Harroway have elected to come out all guns blazing with the first single release since that cycle, a demonically ferocious number called Heresy. The track is a spitting, snarling descent into chaos, seemingly leaving behind the more universal appeal of their previous songs with a step to the dark side that could potentially open Harroway up to … well, just about anything. HEAVY sat down with vocalist Matt Banks to find out more, starting with how fans have reacted to the new single. "It's been great," he smiled. "Weirdly now that it's a month or so out we are really starting to see the traction from Spotify numbers. Our monthlies are back up to like over 20,000 monthly listeners now. We're about to crack like, I think somewhere around, it'll be at like over 40 thousand plays on Spotify alone. I think it's like the total of all platforms, which is sick because it started a bit slow. I was a little nervous and thought maybe people didn't like it. There's a couple of viral videos that are floating around, which always helps out. But yeah, and even at the shows, it's been really good, especially obviously that last breakdown. You know, we've been getting a lot of crowds sing along, you know, basically every show, which is fucking awesome because we've never really We've never really had that before." In the full interview, Matt spoke more about Heresy, highlighting its heavy sound and positive reception. He also discussed the musical inspiration behind the single and the decision to release it as a standalone. Matt shared insights into his performance mindset and the band's plans for a new EP, emphasizing changes in their musical style and production process. He also talked about the band's evolution and the challenges of being in the music industry. The conversation also touched on Harroway's almost finished tour with Sienna Skies and No Home, the success of the sold-out shows and future plans.

9 MAY. 2024 · Interview by Kris Peters Following a triumphant rebirthlast year with their comeback single of sorts The PMA Effect, Gold Coast noise machine The Final Fall quickly busied themselves on the live circuit, pumping out a second single Live Everyday earler this year. Their eclectc and confronting mashing of genres has ensured The Final Fall have made an impact anywhere and everywhere they play, with a menacing and strangely cohesive blending of genres from punk to metal to rock to hardcore creating a sonic maelstorm of venemous intent that is difficult to put into words. So the band have decided to let their music do the talking, with the premiere at 4pm on May 10 of their latest single Sold - Selling Out Part 2 exclusively via HEAVY mag. Another slab of musical mayhem, Sold is the successor to The Final Fall's original song Selling Out which was released back in 2011. It may seem like a long journey between drinks, but The Final Fall is determined to make up for lost time, with guitarist Benny Whiskey sitting down with HEAVY to tell us more. "It's a bit of a journey," he laughed. "Our music has a lot of punk and metal and hardcore in there, and with this one we just wanted to push the boundaries. It's actually the sequel of one of our songs we wrote about a decade ago called Selling Out and is the same as that one, just pushing the boundaries musically. Lyrically, it's almost off the name - Selling Out, Sold - we just wanted to keep the same sequel going. In a short note don't sell out on your friends or family because that's what gets you through life." In the full interview, Benny covered various aspects of The Final Fall's music such as timing, promotional strategies, and the musical and lyrical content of the song. They also talked about the band's history, including a previous release and their return to the music scene after a hiatus. Additionally, they explored the challenges of re-entering the music world after a long absence, their recent experiences with live shows, and the band's exploration of different musical genres. Benny provided a comprehensive overview of the band's upcoming events in the punk and hardcore scene, discussing support for renowned bands like Belvedre and The Decline, an upcoming tattoo convention show, the charitable nature of the Rock Beats Depression event and more.

8 MAY. 2024 · Interview by Kris Peters Pensylvanian melodic hardcore upstarts One Step Closer have certainly embraced the disposable culture of modern society, with a musical output bordering on an album or EP roughly every 12 months. While such a prolific extension of a band's creativity could often lend itself to varying degrees of quality, One Step Closer have consistently put out quality releases ever since their debut demo offering in 2016, all the way up to,and including, last years Songs For The Willow. Touted as the band's most anthemic and passionate work to date, new album All You Embrace - out May 17 - sees the metal outfit exploring outside of their comfort zone even more, embracing elements of hardcore, emo, '90s alternative and more into a sonic tapestry already rich with diversity. HEAVY caught up with vocalist Ryan Savitski to find out more. "I'm honestly nervous and super excited as well," he enthused about the impending release of All You Embrace, "just because, you know, this is a big deal record for us. I feel like the second LP is always a little scary and I feel like we have been trying to do our best just to keep our nerves and keep everything pushing. We're super excited to finally put it out." We ask Ryan to tell us more about All You Embrace musically. "Pretty much we were just trying to expand our sound from what it already has been," he shrugged. "We were trying to be a little bit more melodic and kind of push at least the stinging aspects of the band even more. I feel like we've always been more of a melodic band and more like… we're a melodic hardcore band so it's always been sick to push that more on every release that we've done, and on this one I think we were really just trying to be limitless and not hold ourselves back." In the full interview, Ryan talks more about the sonic direction of All You Embrace, the singles released and how they represent the whole album, , how the album shows One Step Closer's musical evolution from Songs For The Willow, being real to yourself and your music, the contrasting musical styles that go into their music and how it comes together, the early focus on EP's over albums, touring plans and more. Pre-orders: https://cvaushop.com.au/products/one-step-closer-all-you-embrace-pre-order

8 MAY. 2024 · Interview by Kris Peters Fresh from a run of Australian shows with Ne Obliviscaris and Rivers Of Nihil last September, German based post metal outfit The Ocean are set to return this June for their first headlining dates in this country in almost a decade. The band left an indellible impression on concert-goers when they were here late last year and have promised to up the ante even more for this tour which starts in Brisbane on June 5. Bringing their biggest production yet, as well as legendary US hardcore pioneers Cave In for their first Aussie shows EVER and insanely heavy Danish label mates LLNN, The Ocean will be showcasing last years ninth album Holocene, said to be the bands most exploratory and varied release yet. Guitarist Robin Staps sat down with HEAVY to reveal more. "We're looking forward to being back," he began. "We were only over there last September but we're stoked to come back with a full headline set this time and to present you guys our new record Holecene, which we haven't been touring with so far. We just played one track on the last tour so there's goign to be a lot of songs we haven't really played live on your precious continent before and we're stoked to do that." "I'm in the middle of tour preparations right now," he continued. "Inevitably you start dealing with a tour more than a couple of weeks in advance. There's a lot of logistics involved. We're also doing South East Asian dates before we get to Australia and just the whole luggage and merch shipping and transport situation is extremely complicated. So unfortunately right now it's quite mundane logistics stuff, but i'm very much looking forward to finally being over there and touring and playing shows. We love Australia, ity's always been great. This time I have a feeling we're actually going to be able to enjoy it (laughs). The last couple of times it was always super early morning flights so we just didn't sleep. I was like a zombie." In the full interview, Robin talks more about what to expect from The Ocean on the tour, how the shows will be different as headlining events, the extra production and what that means for the performance, what has changed with The Ocean siunce their last headline Aussie tour almost a decade ago, bringing Cave In over for the first time and how that band helped shaped The Ocean's sound, how Holocene was received by fans, the slightly different sound of that album and why they went in that direction, fitting songs with different structures into a set list and more.

8 MAY. 2024 · Interview by Kris Peters Sebastian Bach has been a busy man since releasing his last solo album Give 'Em Hell back in 2014. He launched popular tours such as 18 And LIVE as well as celebratory 30th-anniversary jaunts in honour of Skid Row's self-titled album and Slave To The Grind, performing each classic in its entirety. Not to mention, he unveiled his acclaimed autobiography 18 And Life On SKID ROW. The man is revered the world over as the original vocalist of Skid Row, unleashing a number of long-standing hit singles such as 18 And Life, I Remember You, Youth Gone Wild, Slave To The Grind, Wasted Time and Monkey Business, in the process taking heavy metal into countless more homes and ears than ever before and leaving an indelible mark that could possibly never be surpassed. Now, 10 years since Give 'Em Hell, Bach returns with Child Within The Man, promising nothing but everything fans could expect and more. It is an epic album and a triumphant continuation of an important and influential career from a man with an astonishing vocal range and larger than life persona. A celebration of past glories and a hint at more to come. Put simply, it is Sebastian Bach at his irrepressible best, with enough swagger to plough through an iceberg and more than enough attitude to spark a global sonic riot. HEAVY had the pleasure of chatting with Sebastian recently about his welcome return. We start by quoting the press release that states Child Within The Man is Bach's most unapologetic and undeniable album yet, and ask if he agrees. "Well, I think this album is different because it's the first solo record I have where I've got a full team of people helping me," he measured. "So they're keeping me really busy doing interviews, and yesterday I spent all day autographing album flats that you're going to be able to get in record stores - hopefully in Australia, I don't know. But I have like a whole international team of people that are helping me, so I think that makes it undeniable. The fact that they got me back on the radio here in America is insane to me because I didn't think… I didn't know that that was still possible. I always hoped it was, but you always get labelled an 80s or hair band, and you think that a programmer won't play somebody with that label, but I am happy to say that that does not apply to me, thank you very much (laughs). It just feels incredible to have a song playing on the radio in 2024. It feels astonishing." In the full interview, Sebastian discusses his new album Child Within The Man, sharing insights into the production process, the positive reception of the singles, and the involvement of a full team in its release. He also talked about the emotional inspiration behind his song Everybody Bleeds, delving into his experiences as a father and his profound concerns for the future of the planet for his children. Additionally, Bach passionately recounted the journey of discovering his late father's painting, which became the album cover, and reflected on his history of intense touring. The conversation also touched on the potential for a new video featuring Orianthi, the collaboration with guest musicians like John 5, Steve Stevens, and Orianthi, and the absence of a song titled Child Within The Man. Sebastian also expressed his deep connection with Australia and his desire to tour extensively, aiming to perform in smaller towns and cities across the country.

8 MAY. 2024 · Interview by Jimmy Glinster Very rarely does HEAVY venture outside of our comfort zone and leave the music realm to speak to artists from other fields, such as comedy. The few times we have invariably resulted in many laughs and a fresh take on festivities, and this was most certainly the case recently when Jimmy Glinster took on his first serious (pardon the pun) interview when he sat down for a chat with the hilarious, and often in more trouble than the HEAVY staff, Australian comedian Isaac Butterfield. Known for pushing boundaries and challenging pretty much everything and anything he takes an interest in, Butterfield has a dark sense of comedy, honed through his YouTube channel but now extending to stand-up shows, podcasts and online content. Loved because of his unflinching and unapologetic approach to controversial topics and observations on everyday life, Butterfield gives no quarter - nor expects any - unleashing his razor-sharp wit and confronting humour from May 10 in Port Macquarie as he embarks on his Isaac Butterfield Regional Live Tour that takes him through 15 different cities before finishing on the Sunshine Coast on June 23. Jimmy didn't hold back with his questions - as expected - starting with asking Butterfield how he would like to be called. "You can call me whatever you want, brother," he smiled. "It's all good. I know a lot of people have a lot of different pronouns and stuff… honestly, as long as it's she/her or he/him… the other ones, that's where you get me. I'll be polite… but calm the farm. When you live in a society where everything's pretty easy… that's when you start making up pronouns." Jimmy questions if the younger generation is taking advantage to an extent in the modern age of political correctness. "I hate the younger generation," Butterfield shot back. "I'm a Millennial, so I understand that we were the downfall - or at least the start of it. But Gen Z is Hiroshima and Nagasaki in 1945. That's Ground Zero. But, the Gen Alpha… they reckon it'll rebound, and it often does. It rebounds in our generations after, so hopefully that does happen, but I dunno man. It's a rough time. I've had a couple of employees over the years who have been Gen Z, and they are the worst people that have ever lived on this planet. They are worse than Hitler Youth." Listen to the full interview to dive deeper into the world of Isaac Butterfield, including what he classes himself as in respect to being an entertainer, accusations of him backtracking on certain subjects, the correlation between heavy metal and comedy, objectifying art forms such as music and comedy to fit agendas, his ghost hunting video, his new book and much more. Isaac Butterfield kicks off his 2024 World Tour in Australia! A lethal combination of razor-sharp wit and unapologetic humour, Isaac fearlessly delves into the realities of modern life. From hilarious observations on everyday absurdities to fearless takes on controversial topics, join Isaac for a night of forbidden comedy where no topic is off-limits and laughter is guaranteed. MEET AND GREET is Exclusive to VIP HOWLER HEAD Ticket Holders ONLY. This VIP package includes premium seating, a meet and greet with Isaac after the show and a photo opportunity. Special thanks to our sponsor, Howler Head, and Dana White. To ensure an immersive experience for all attendees, we request that NO FILMING or photography takes place during the show. Our team may capture moments from the performance for promotional purposes. By entering the venue, you agree to be filmed, and any resulting content may be distributed accordingly. This show is recommended for ages 15 and above. Unless house rules state otherwise, refunds will not be provided if entry is denied. This COMEDY show is not for the faint-hearted. If you're prone to complaining, this may not be the event for you. No refunds will be issued. Tickets from https://www.rabbitgroup.com/

2 MAY. 2024 · Interview by Kris Peters Kaosphere burst onto the Gold Coast metal scene in 2015, bringing with them a wave of brutality seldom heard on the Glitter Strip. After slugging it out at local venues despite not playing a brand of music acceptable to the general population, Kaosphere steadily began building a fiercely loyal and ever-growing fan base that consumed the band's first musical offering in the form of Forsaking Shadows in 2017. As the Brisbane/Gold Coast heavy metal scene and community grew, so did Kaosphere, relishing the opportunities to spread their sonic tirade further at every opportunity. They quickly became the unofficial metal representatives of South East Queensland, and capitalised on that momentum with increasingly hostile live performances that represented their particular brand of heavy music. Last year saw Kaosphere break into more of a mainstream market with a support slot to touring LA glam metal band The Midnight Devils as well as a featured slot at Wallapalooza 2023 which also presented COG, Butterfingers and 28 Days. But it is here and now where Kaosphere are preparing to make their ultimate stand with the release on May 3 of their debut album In Scars We Trust. With three crushing singles already unleashed on the public, In Scars We Trust is shaping to be a pivotal release in the career of Kaosphere, with the whole band joining HEAVY on the eve of its release to run through it more, starting with how it feels to have the album finally coming out. "Relieved," vocalist Ricci Dyer began. "Looking forward to it. It's been a lot of hard work gone into it, and now it's time to chill back and get to see the fruits of our labour." "It's been over two years in the making," added drummer Sam Phillips. "A lot of build-up and a lot of work." So far Kaosphere has released the singles Chainbreaker, May I and War Cry, so are those three tracks a good sonic representation of what to expect? "Sort of," Dyer measured. "These's still a lot of groovy tracks on the album, and they all have their differences. Obviously, our flavour is still there engrained in it, but there is a lot of difference in some of those songs." "I think that's mainly because we actually wrote the whole album itself as a whole pile of singles," bass player Leon Friis chimed in. "So we basically went into the studio and would write and record one song over one month or two months and then finish that and go to a new one, and we just worked our way through it like that. We occasionally went back and rerecorded a couple of the songs and spruced them up a bit more." In the full interview, the band members further discussed the album release and plans for showcasing gigs in Brisbane and Gold Coast. The team discussed the musical evolution showcased in their new album, In Scars We Trust, highlighting the diverse influences and dynamic nature of the songs. They also discussed the introduction of clean vocals and the positive reception of the new material during live performances. They also spoke around the release of the new single Bring Out The Dead and its music video, with the boys providing insights into the song's inspiration and the creative process behind the video. The team discussed their plans to release more singles as visualizers and create additional music videos for certain tracks from the album. The band delved into the symbolism behind the album cover art, which represents resilience and strength, and mentioned the special pressings with artwork for merchandise. The conversation revolved around Kaosphere's upcoming shows, with a focus on the diverse range of performances lined up, including a free entry show at Tribe Clubhouse, two shows with Melbourne death metal outfit Miruthan, a memorial show, and a festival at the Brightside.

2 MAY. 2024 · Interview by Kris Peters Eskimo Joe are in the rare and elite class of Australian bands who could probably never make another album again, but still draw people to their shows based solely on the quality of material they have released thus far. Two songs in particular - Love Is A Drug and Black Fingernails, Red Wine - have etched Eskimo Joe into Australian music folklore, but their 27-year journey has seen many more highlights and relatable songs. The band built their reputation playing festivals such as Big Day Out and Splendour In The Grass, but of late have been playing nostalgia-type festivals featuring classic bands from the past few decades that are still going strong. The most recent of which was Lookout Festival which featured Incubus, Live, Eskimo Joe, The Superjesus and Birds Of Tokyo. It was a series of concerts that drew consistently high numbers and reaffirmed Eskimo Joe's standing amongst the country's elite live bands, despite having not released a full album since Wastelands in 2013. With the release of their first single since 99 Ways in 2021 - a nostalgic number called The First Time - Eskimo Joe are embarking on a new chapter of their careers and learning to embrace the very fabric of music that excited them nearly three decades ago. HEAVY caught up with bass guitar/keyboards/vocals Kav Temperley to find out more. "This is certainly the first song we've put out post-COVID where we've actually played some shows in front of people and then recorded a song, which is a very different feeling," he said. "I think we've hit a real purple patch. Since we saw you at Sandstone Point, all of the shows that we have been playing have been these big, almost nostalgia fests. We've noticed that the gigs are filled with people who are in their early 20s to their 60s and 70s. They are people who would have been 5 or 6 when Black Fingernails, Red Wine first came out, and people who would have discovered us when we first put out Sweater. We've kind of hit this really interesting place where we're not cool or uncool anymore, we just occupy this Eskimo Joe shaped hole in the music industry, which is great. Putting out a new song has been wicked. Definitely the best pickup we've had at radio since 2010 I guess, but everyone is receiving it really well." In the full interview, Kav talks more about The First Time and its sonic direction, the film clip that traces the history of the band over the last 20-odd years, if it is a stand-alone track or part of something bigger, the shows with Live and Incubus, some things they have learnt about themselves and their bandmates over 20 plus years of touring, the just started National Acoustic Theatre Tour and what to expect, playing the more intimate shows and the higher level of fan interaction, future plans and more.

2 MAY. 2024 · Interview by Kris Peters Having served the local music scene since the early 1990's Melbourne metal outfit Suiciety have truly been there and done that - twice - in the Australian music landscape. While never cracking the lucrative markets of acceptance, the band has always maintained a strong and loyal fanbase on the strength of early releases Deeper Vision through to their latest EP Reincarnated, which is out now. Despite band members being spread across the planet in the modern age, Suiciety still have that hunger and fire that only heavy punk rock-infused music can deliver, with lead vocalist Adam John Cooper sitting down earlier this week to chat about the new EP and history of the band. The chat covered a range of topics, including the potential promotional benefits of bringing a band to Melbourne and the significance of interviews in the music industry. The conversation also touched on the impact of personal connections and the role they play in the success of bands. Adam provided insights into the creative process and inspirations behind the tracks on the Reincarnated EP, highlighting the thematic elements of their music and running through the four songs track-by-track. He also shared information about RATFest, discussing the hand-picked line-up.

15 SEP. 2021 · The Hard-Ons are almost more Australian than Vegemite. Almost. For just shy of 40 years guitarist Blackie and bass player Ray Ahn have punked and rolled themselves into Australian music folklore with their blending of punk tempos, hardcore attitude, heavy metal riffs and surf-pop melodies, coupled with a dry and laconic sense of humour, catapulting them into the hearts and eardrums of generations of fans. The recent announcement of You Am I frontman Tim Rogers to The Hard-Ons was met in some quarters with surprise, but most with excited anticipation, with the amalgamation of two of this countries most loved bands a recipe for success. That anticipation was justified with the release of the bands first single with Rogers, Hold Tight, satiating long term fans and silencing the doubters with its fresh approach to The Hard-Ons sound without overhauling the finer points that endeared the band to many. Rogers and Blackie joined HEAVY for a fun chat recently to discuss the next phase of the Australian juggernaut that is The Hard-Ons and their new album I‘m Sorry Sir, That Riffs Been Taken, which is out on October 8. We start by welcoming Rogers to the band and asking how it came about. "The call came - and I thought it was a wind up - but Ray's always been straight up with me," he began. "For thirty years he told me how bad we've been when we've been bad in my other band, and he's been so generous, so I decided to take it seriously and sobered up a bit and then drove up to Sydney and had two rehearsals and it was so much fun and terrifying. I've never rehearsed harder in any situation. " "You found it terrifying, but fucken hell, it was a pleasure," Blackie cut in, laughing. "So your suffering was my pleasure (laughs)." "I think I turned up the second rehearsal," Rogers continued, "and I was a bit more relaxed and had more fun because the band said 'hey Tim, why don't you just choose a set list' and I thought well, I've got a wishlist of about 97 songs and I whittled it down to about 20 something, and apart from songs on the record they were 95% songs from the last six records. My purpose at the moment is to get people that haven't heard those records to hear them, as well as the one we just recorded. After the initial terror, it was just joy. And the recording... I did all my vocals in a day and a half, and I was really shocked to find out that Pete and Ray and Murray had done the tracking similarly, like a day and a half, and I couldn't believe it. I thought this is like trying to cage a tiger or jump onto it." In the full interview the chemistry of Tim and Blackie is evident as they bounce off each other, talking more about Tim joining the band, the upcoming album, why they chose Rogers as singer, how, if at all, The Hard-Ons will be different musically, humour in music and why it's important, what Tim brings to The Hard-Ons and more.

30 SEP. 2019 · Black Rheno are one of those bands that everybody should have heard but too many have not. They are a hard-working, hard-touring excitement machine and after introducing themselves to the world with their debut E.P Let's Start a Cult in 2016, are finally ready to unleash their first full-length album, with the appropriately titled Noise Smasher set for release on October 25 "We're ecstatic!" blurted drummer Dougy "We're very excited (laughs). There's a big tour coming up for it too but we've all been waiting for the right time to drop it and I think now is that time. Let's do it!" After completing the album some time ago and with anticipation around the country now threatening to boil over, Dougy admits that sitting on the album before releasing it has been frustrating to say the least. "Oh man, you have no idea," he laughed "It's been pretty crazy. The E.P came out a couple of years ago now and we've been sitting on this for a while waiting for the right time to bring it out. We have worked insanely hard on it. It's a good mix of everything. You've seen us play and I think its a good adaption of what we do live. We go crazy, we can make you dance and go nuts, and hopefully it all works out. Very excited is an understatement. Musically Noise Smasher follows a similar path to the music on Let's Start a Cult, but Dougy says that for their second release Black Rheno tapped a little more into their personal influences - more subconsciously than thought out - with the resulting collection of music the definitive sound of a band at peace with their craft. "Other artists talk about where most of their influences have come from - usually their personal favourite artists - but I have never really thought like that," he deliberated. "But when I think about it this album pretty much sounds like all of our individual favourite bands (laughs), with all those genres smashed into one. It's great. You wouldn't pick it but I'm an avid fan of most genres. I grew up with just death metal and that was it, but I'm also a big fan of the Foo Fighters and Queens of the Stone Age and Kyuss or stoner stuff, but fuck I also like Sting and The Police - there's nothing of that on the album of course (laughs) - but it's a big mix of different genres which is great. It's not just death metal, death metal, death metal. It can pick you up at some points and you get all groovy and start dancing, or you can start banging your fucken head and start smashing things if you like. There's something for the whole family if you will." Tour Dates Thursday 7th November Badlands, Perth Friday 8th November Enigma, Adelaide Saturday 9th November Max Watts, Melbourne Sunday 10th November Brisbane Hotel, Hobart Monday 11th November The Basement, Canberra Wednesday 13th November The Cambridge Hotel, Newcastle Thursday 14th November Crowbar, Sydney Friday 15th November Crowbar, Brisbane