20 MAR. 2023 · From the hushed, hypnotic repetition of the opening monologue of Alain Resnais' L'année dernière à Marienbad to the eerie mountain approach of Jack Torrance and family to the Overlook in Kubrick's The Shining, accompanied by Wendy Carlos's glacial electronic reinvention of Dies Irae, Seeing Voices presents a sonic encounter between two of cinema's most celebrated hotel time-machines.

31 ENE. 2023 · “Making a movie is about building or rebuilding your own ghosts. I do not see ghosts as particular entities but as something general. The whole movie is a ghost, something you can’t touch, ephemeral”. Apichatpong Weerasethakul on MEMORIA In this extract from the soundtrack of Apichatpong Weerasethakul's Memoria, the spatialization of the actor's voices (the disembodied lateness of Elkin Diaz and Tilda Swinton's halting Spanish) combine with Akritchalerm Kalayanamitr and Koichi Shimizu's sound-design to convey the passage of the debris of memory from his mind to hers.